![]() Plug-in effects allow real-time preview, but some included DSP effects have no preview at all. Crossfade curves have some editing options, but you can’t, for instance, create Bezier curves for smoother crossfades. Because Peak doesn’t include true multi-channel editing, combining layers of audio files is more awkward than in it is similar editing tools. It can be worth putting up with these inconveniences for some of Peak’s editing niceties and DSP (digital signal processing) power, but there are other, non-cosmetic areas of the software that seem overdue for a refresh. You’ll still wind up juggling floating windows rather than more convenient edit panes. Icons can be a confusing way of communicating abstract editing concepts, and there’s no text label option of the sort available in Firefox and other applications. The magnetic function doesn’t compensate for the fact that the Toolbar still floats rather than being docked to an edit window. These changes are welcome, but Peak’s UI isn’t as efficient as those in competing offerings like Adobe Soundbooth (), Apple Soundtrack Pro (), and Audiowave Wave Editor. The multi-window interface is now magnetic, so windows will snap to the edge of the screen for a neater layout. Finally, tool tips show you what those icons mean and what shortcuts can access them. A new high-contrast background is far easier to see, and it’s adjustable if you don’t like it. Peak is nothing if not packed with editing features, but this functionality produced a toolbar of icons that could get unruly in past versions. Peak’s user interface has gotten some cosmetic tweaks. Now you can add cross-synthesis capabilities for special effects like vocoding and convolution. Vbox is one of Peak Pro’s best features it allows you to create complex and powerful routings of bundled and third-party plug-ins. It allows you to take existing sound material and third-party plug-ins and use them in new ways, and provides a compelling argument for choosing Peak in place of more generalized music production tools when you want to cook up strange new sounds. For sound designers, this is a real dream. The routing matrix has an improved UI, but the killer feature is cross-synthesis, which allows special effects like modulation, vocoding, and convolution. In Vbox 3, you can add envelopes to those plug-ins. You can apply these to audio files, record effects and instruments, or even play instruments live. BIAS’ Vbox has always been a powerful tool for assembling VST and Audio Unit effects plug-ins. The surprise in Peak Pro 6 is that it’s an exceptionally good host for plug-ins, with some sonic capabilities that aren’t accessible even in tools more associated with plug-in hosting. While Peak is good at finding and creating seamless loops, it doesn’t include facilities for working with individual slices (beats) inside loops. If you work with hardware samplers, you’ll love Peak’s looping features users of loop-editing music software and software samplers may not need them as often as they once did, though, because those tools include their own, more sophisticated loop processing facilities. ![]() The feature can create unique results you can’t get elsewhere. ![]() It’s now augmented by Perceptual Looping, which is intended for monophonic, continuous sounds. The Loop Surfer, a tool for creating seamless loops from audio files, remains useful. ![]() Most annoyingly, there’s no live preview, so you’ll have to use trial and error to find the best settings.Īnother strong suit of Peak has always been its loop creation tools. Because Peak doesn’t include true multitrack editing, you have to use the clipboard to perform the ducking process. The feature is implemented in a way that may frustrate novices, however. That helps to make sure your podcast host can speak without being drowned out by a background music track. Peak Pro adds voiceover ducking, an essential feature for podcast production that automatically reduces the volume or “ducks” background sound under your voice. BIAS bundles Ambrosia’s excellent WireTap Pro utility, so you can easily record voice chats from apps like Skype or iChat AV. You can even submit your podcast to the iTunes store in the same step. With Peak, you can not only export the file, but publish your podcast locally or to MobileMe () and FTP servers without leaving the program. You can add metadata for iTunes () and music players and generate podcast RSS feeds. Peak Pro 6 now publishes podcasts directly with the dead-simple Publish Podcast command. Many of the enhancements in Peak Pro 6 are aimed at advanced users, but some of its most notable improvements aid podcasters. A sample editor like Peak can be ideal for podcasting and other similar audio editing tasks, as it focuses on stereo recording and editing, in contrast with the broader feature sets in software like Apple’s Logic Studio (). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |